Red Wine by debutant director Salaam Baapu begins with a lot of promise. But the director loses grip and the story simply meanders along lazily, testing the audience's patience. The cast included the two best names in the Malayalam film industry but sadly, Salam Bappu couldnt capitalise on his biggest advantage. The story is about a political murder that takes place in Kozhikode, with the involvement of the land mafia.
Fahad essays the role of CV Anoop, who is a theatre enthusiast. He is associated with a local theatre group in Kozhikode. The movie opens with a performance by this group. After the performance, Anoop and his friend Navaz leave the premises to catch up over a few drinks. Anoop is then dropped off at his lodge by his friend. He engages in cheerful banter with the receptionist and retires for the night, never to wake up again. .
Enter Mohanlal as Ratheesh Vasudevan, the ACP who is investigating the crime. Here on, the movie progresses in past and present mode. This has been done to death of late in Malayalam and frankly, gets on to the viewers' nerve after a while :D
Anoop's past is unfolded through the investigation. He is an engineering graduate from NIT. Anoop is a man with leftist principles and the local committee member of his party in Wayanad. Theatre is his passion, for which he finds time in between his social commitments. Widely loved in his little town, he makes sure he is at the forefront of everything progressive. He is also shown as a man who cares deeply for the environment and his interactions with the Adivasis in the area further establish this. He is supportive of the establishment of a medical college, hoping that deserving candidates from even the lower strata of society have a window of opportunity. However, he opposes the launch of an Ayurvedic Resort for it means displacing Adivasis from their natural habitat.
I will not go into the nitty gritties of the movie, becuase it doesnt deserve it :) I love crime thrillers and watch movies trying to second guess the motive and the 'killer'. This one robs the viewer of that experience. The murderer, the reason are all revealed much before the interval. This killed the suspense and my interest :)
Performance-wise, Fahad is excellent and a complete natural. Two releases in a week and you see two completely different faces of the man. Though the movie was nothing to rave about, Fahad had me floored. Maybe I'm partial here :)
Mohanlal had no business in this movie, except 'upping' the star quotient. The role could've done by anyone and an actor of his calibre wasnt needed. He sleepwalks through his role. ACP Ratheesh Vasudevan pales in comparison to his cop-act in last year's Grandmaster.
Asif Ali, in a small role looks confused. He had the "what am I doing here" look on his face all the time. And, about time he went for some acting classes. Thankfully, we dont have to endure him for a large part of the movie
Suraj Venjaramood as the party member is passable. The plus was that he had a serious role, and hence no jokes that tortured the audience. Saiju Kurup as Navaz is good. TG Ravi as Narayanettan, Anoop's mentor, is lovable. You feel the man's love for Anoop and his pain at learning about his death.
The less said about the ladies in the movie, the better. They are all mostly blink and miss. No real relevance here. The villains are real jokers too! They hardly create an impact and that isnt how it should be in a movie with a political murder as the backdrop.
Wayanad has been beautifully captured in a number of scenes.
Rating : 2.5/5, watch on DVD.
Fahad essays the role of CV Anoop, who is a theatre enthusiast. He is associated with a local theatre group in Kozhikode. The movie opens with a performance by this group. After the performance, Anoop and his friend Navaz leave the premises to catch up over a few drinks. Anoop is then dropped off at his lodge by his friend. He engages in cheerful banter with the receptionist and retires for the night, never to wake up again. .
Enter Mohanlal as Ratheesh Vasudevan, the ACP who is investigating the crime. Here on, the movie progresses in past and present mode. This has been done to death of late in Malayalam and frankly, gets on to the viewers' nerve after a while :D
Anoop's past is unfolded through the investigation. He is an engineering graduate from NIT. Anoop is a man with leftist principles and the local committee member of his party in Wayanad. Theatre is his passion, for which he finds time in between his social commitments. Widely loved in his little town, he makes sure he is at the forefront of everything progressive. He is also shown as a man who cares deeply for the environment and his interactions with the Adivasis in the area further establish this. He is supportive of the establishment of a medical college, hoping that deserving candidates from even the lower strata of society have a window of opportunity. However, he opposes the launch of an Ayurvedic Resort for it means displacing Adivasis from their natural habitat.
I will not go into the nitty gritties of the movie, becuase it doesnt deserve it :) I love crime thrillers and watch movies trying to second guess the motive and the 'killer'. This one robs the viewer of that experience. The murderer, the reason are all revealed much before the interval. This killed the suspense and my interest :)
Performance-wise, Fahad is excellent and a complete natural. Two releases in a week and you see two completely different faces of the man. Though the movie was nothing to rave about, Fahad had me floored. Maybe I'm partial here :)
Mohanlal had no business in this movie, except 'upping' the star quotient. The role could've done by anyone and an actor of his calibre wasnt needed. He sleepwalks through his role. ACP Ratheesh Vasudevan pales in comparison to his cop-act in last year's Grandmaster.
Asif Ali, in a small role looks confused. He had the "what am I doing here" look on his face all the time. And, about time he went for some acting classes. Thankfully, we dont have to endure him for a large part of the movie
Suraj Venjaramood as the party member is passable. The plus was that he had a serious role, and hence no jokes that tortured the audience. Saiju Kurup as Navaz is good. TG Ravi as Narayanettan, Anoop's mentor, is lovable. You feel the man's love for Anoop and his pain at learning about his death.
The less said about the ladies in the movie, the better. They are all mostly blink and miss. No real relevance here. The villains are real jokers too! They hardly create an impact and that isnt how it should be in a movie with a political murder as the backdrop.
Wayanad has been beautifully captured in a number of scenes.
Rating : 2.5/5, watch on DVD.